The global creative sector is undergoing a profound transformation, moving beyond traditional production frameworks toward a model that prioritizes climate resilience, circular systems, and social equity. As creative industries expand and adapt to new digital realities, practitioners face the dual challenge of resource optimization and cultural preservation.

The current era of creative practice is defined by a shift toward smart, adaptive, and restorative methodologies, where the objective is to create systems that are not only economically viable but also environmentally regenerative. This movement requires a sophisticated synthesis of advanced digital tools, nature-based strategies, and ethical innovation to manage the complexities of modern production and design.

In response to these systemic shifts, the 6th edition of the Sustainability in Creative Industries (SCI) conference, held in collaboration with Universitas Ciputra, Indonesia, serves as a global forum for redefining the future of our creative markets. By integrating advanced digital tools with regenerative strategies, SCI provides a definitive platform where academic research, policy expertise, and industry leadership converge. This edition emphasizes actionable, future-proof solutions to develop a resilient, inclusive, and technologically advanced global creative ecosystem.

Conference Scope

SCI functions as a premier international hub for the convergence of diverse academic, corporate, and entrepreneurial expertise. It brings together designers, artists, environmental scientists, policymakers, and industry specialists to foster multidisciplinary research that addresses the urgent need to redesign creative frameworks in a rapidly evolving global context.

Statement of Purpose

This conference aims to provide a comprehensive, interdisciplinary forum that bridges the gap between theoretical creative design and modern industrial execution. Our mission is to facilitate the exchange of knowledge, methodologies, and best practices among scholars and creative practitioners. By examining the synergy between digital innovation and sustainable creation, we aim to offer actionable insights that empower creative leaders, strategists, and designers to lead the transition toward a sustainable, healthy, and environmentally resilient creative market.

• 1. Creative Architectural Design and Sustainable Urbanism

  1.1. Sustainable Architectural Design Methodologies for Urban Contexts.
  1.2. Creative Urban Branding for Sustainable Luxury and Living.
  1.3. Landscape Design Establishing Harmony with Natural Ecosystems.
  1.4. Zero-Carbon Building Materials and Structural Efficiency.
  1.5. Adaptive Reuse of Historic Structures in Architectural Development.
  1.6. Energy-Positive Buildings and Smart Infrastructure Integration.
  1.7. Urban Resilience and Sustainable Master Planning.
  1.8. Community-Centric Architectural Typologies.

• 2. Interior Design, Spatial Furnishing, and Human Well-Being

  2.1. Eco-Friendly and Efficient Design Solutions in Interior Spaces.
  2.2. Biophilic Design Principles Enhancing Connectivity with Nature Indoors.
  2.3. Narrative Architecture and Cultural Context Shaping Interior Identity.
  2.4. Responsive and Interactive Interior Configurations for Adaptable Spaces.
  2.5. Circularity Principles in Interior Design and Adaptive Reuse.
  2.6. Human Well-Being Integration Within Interior Environments.
  2.7. Innovative Furniture Design Approaches for Sustainable Living.
  2.8. Upcycling and Repurposing Furniture and Household Accessories.

• 3. Textile Innovation, Fashion Systems, and Material Futures

  3.1. Development of Bio-Based and Regenerative Textiles.
  3.2. Integration of Smart Fabrics and Wearable Technology.
  3.3. Material Experimentation in Sustainable Design Practices.
  3.4. Biomimicry and Nature-Inspired Design Systems for Performance.
  3.5. Longevity, Repairability, and Timelessness in Fashion Products.
  3.6. Renewable and Non-Toxic Alternatives in Material Sourcing.
  3.7. Eco-Friendly Fibers and Advanced Processing Technologies.
  3.8. Natural Textiles and Sustainable Apparel Innovations.

• 4. Sustainable Materials and Product Design Systems

  4.1. Next-Generation Eco-Friendly Materials for Industrial Applications.
  4.2. Lifecycle Assessments Applied to Consumer Product Design.
  4.3. Sustainable Product Systems Addressing Human Essentials.
  4.4. Eco-Conscious Packaging and Everyday Essentials Development.
  4.5. Everyday Design Integrating Sustainability Into Consumer Goods.
  4.6. Upcycling and Repurposing Material Waste for New Products.
  4.7. Ergonomic and Sustainable Living Solutions for Communities.
  4.8. Biodegradable Composites and Advanced Renewable Materials.

• 5. Sustainable Toys, Gaming, and Virtual Reality Environments

  5.1. Sustainable Toy Design and Eco-Friendly Manufacturing.
  5.2. Sustainable Software, Games, and Virtual Reality Development.
  5.3. Immersive Virtual Environments for Environmental Education.
  5.4. Ethical Gaming Hardware and Circular Electronics in Play.
  5.5. Gamification Strategies for Environmental Awareness and Action.
  5.6. Digital World-Building and Sustainable Narrative Design in Gaming.
  5.7. Upcycled Materials and Non-Toxic Polymers in Toy Production.
  5.8. Interactive Virtual Reality Systems for Sustainable Design Simulations.

• 6. Artificial Intelligence and Digital Transformation in Creative Sectors

  6.1. Digitization, Metadata Management, and AI-Driven Archival Processes.
  6.2. Blockchain Technology for Authentication and Digital Provenance.
  6.3. Virtual and Augmented Reality Enhancing Immersive Archival Experiences.
  6.4. Generative AI and Algorithmic Creativity in Dynamic Creative Processes.
  6.5. 3D Scanning, Digital Twins, and Immersive Design for Preservation.
  6.6. Digital Art Curation and Online Collection Strategies.
  6.7. Interactive Installations and Mixed Media Applications.
  6.8. Public Engagement Models Through Participatory Archival Networks.

• 7. Artificial Intelligence Integration, Automation, and Smart Creative Systems

  7.1. Generative Intelligence Tools for Rapid Prototyping and Iterative Design.
  7.2. Machine Learning Applications in Predictive Consumer Trend Analysis.
  7.3. Intelligent Automation in Creative Workflows and Production Pipelines.
  7.4. AI-Powered Optimization for Resource Allocation in Manufacturing.
  7.5. Ethical Frameworks for Human-AI Collaboration in Creative Fields.
  7.6. Cognitive Computing and Smart Interactivity in Modern Design.
  7.7. Algorithmic Asset Management and Automated Content Distribution.
  7.8. Neural Networks and Advanced Pattern Recognition in Art and Design.

• 8. Sustainable Creative Design Methodologies and Circular Systems

  8.1. Circular Economy Implementation Within Design Systems.
  8.2. Zero-Waste Methodologies in Creative Production.
  8.3. Upcycling, Re-Edition, and Archival Reinterpretation Practices.
  8.4. Slow Design Movement and Practices as Archival Preservation.
  8.5. Historical Recycling Techniques for Modern Sustainable Models.
  8.6. Closed-Loop Product Life Cycles in Creative Manufacturing.
  8.7. Economic Models Supporting Waste Reduction in Design.
  8.8. Consumer Behavioral Shifts Toward Circular Consumption Patterns.

• 9. Heritage Representation, Cultural Protection, and Historical Significance

  9.1. Archives as Creative Laboratories for Modern Design.
  9.2. Preservation, Conservation, and Material Intelligence in Cultural Artifacts.
  9.3. Integration of Tangible and Intangible Fashion and Design Heritage.
  9.4. Decolonization and Diversification of Global Creative Histories.
  9.5. Archives as Narrative Systems for Identity and Storytelling.
  9.6. Historical Practices Adapted for Contemporary Sustainable Futures.
  9.7. Strategic Use of Intelligent Archives for Creative Innovation.
  9.8. Cultural Landscapes and Memory as Drivers of Transformation.

• 10. Sustainable Film, Media, and Strategic Marketing

  10.1. Archival Practices Applied to Creative Branding and Design.
  10.2. Eco-Cinematography and Sustainable Production Practices.
  10.3. Sustainable Image Production and Professional Photography.
  10.4. Social Media Networks Functioning as Living Archives.
  10.5. Immersive Shows and Hybrid Runways in Media.
  10.6. Immersive XR and Interactive Media Solutions for Public Engagement.
  10.7. Cross-Platform Multi-Channel Eco-Campaigns and Brand Activism.
  10.8. Storytelling Techniques for Green Market Expansion.

• 11. Creative Education and Sustainable Professional Practices

  11.1. Archive-Based Methodologies in Design Education Curricula.
  11.2. Interdisciplinary Collaboration Across Creative Technologies and Humanities.
  11.3. Data-Driven Creativity and Advanced Research Methodologies.
  11.4. New Business Models Centered on Sustainable Operations.
  11.5. Advancing Creativity and Well-Being in the Modern Workplace.
  11.6. Creative Problem-Solving Frameworks for Business Integration.
  11.7. Academic-Industry Partnerships for Sustainable Skill Development.
  11.8. Future Systems Analysis for Creative Sector Adaptation.

• 12. Craftsmanship, Artisanal Products, and Cultural Preservation

  12.1. Sustainable Crafts and Artisanal Production Methods.
  12.2. Cultural Protection and Preservation of Indigenous Crafting Techniques.
  12.3. Ethical Supply Chains for Handmade and Artisanal Goods.
  12.4. Material Authenticity and Traditional Craftsmanship in Modern Markets.
  12.5. Economic Empowerment of Local Artisans Through Sustainable Design.
  12.6. Heritage Crafts as Drivers of Circular Economic Models.
  12.7. Intergenerational Knowledge Transfer in Artisanal Ecosystems.
  12.8. Quality, Durability, and Timelessness in Artisanal Products.

• 13. Community-Led Creativity, Social Impact, and Public Interventions

  13.1. Street Art Activism as a Tool for Environmental Advocacy.
  13.2. Nature-Inspired Street Art Celebrating Urban Biodiversity.
  13.3. Upcycling Found Objects and Waste Materials in Public Art.
  13.4. Reconnecting Urban Spaces to Environmental Heritage.
  13.5. Community-Led Artistic Expressions in Public Squares.
  13.6. Socially Engaged Art Practices Addressing Local Inequities.
  13.7. Participatory Design Workshops Fostering Grassroots Sustainability.
  13.8. Cultural Narratives Manifested Through Community Street Culture.

General Instructions

1. Expenses:

   The registration fee does not cover accommodation or travel expenses. A list of accommodation options can be suggested by our team if available. Please contact [email protected] for inquiries.

2. Benefits:

   We recommend that all authors take advantage of the benefits that IEREK offers, including various attendance types, publishing opportunities, and opportunities for discounts and waivers.

3. Membership:

   We are pleased to inform all applicants that they can use their previous publications to register for an IEREK membership, which offers a special discount.

4. Collaborative Discounts:

   IEREK offers a special discount to applicants from collaborative universities that have signed an MoU with IEREK to host or co-host one of its conferences.

5. Income-Based Discounts:

   IEREK also provides special discounts to authors from low and medium-income countries.

6. Publication Accessibility:

   The disclosed fees are for the conference participation (Publication is free of charge, but only the conference participants can be considered for publishing in the conference proceedings).

7. Book Series/ Journal(s) Discounts:

   Some of the disclosed conference fees may vary depending on the book series and/or journal(s) presented as a publication outlet, as we encourage submission to newly founded book series and/or journal(s) by presenting a discounted rate for the conference's fees.

Publication Opportunities

IEREK offers many alternative venues for publication. All accepted submissions to the conference, after a rigorous double-blinded peer-review process by the respective and highly-distinguished Editorial Board, will be published through one of the following venues:

1. Scopus/Web of Science:

   Selected papers (according to the preference of the author) will be published in one of the Scopus-indexed or Web of Science-indexed book series or through related journal special issues. See the publishing opportunities section.

2. Springer Series/IEREK Journals:

   Accepted papers (according to the preference of the author) will be published through the Springer book series or through a special issue in one of the IEREK press open-access Journals.

Types of Applications, Attendance, and Registration

IEREK offers many types of registrations that are diverse in registration fees; applicants can choose the type they are familiar with as follows:

1. Academic:

   Participants who are PhD holders, post-doctoral researchers, and universities’ affiliated professors and experts in the field.

2. Students:

   Must provide proof of enrollment in a university by providing an enrollment certificate and/or a valid university ID (with issue/expiry date) etc.

3. Professionals:

   Participants who are not affiliated with universities such as practitioners, policymakers, entrepreneurs, etc.

4. Companions/Co-authors:

   Have access to the event to enjoy the discussions, coffee breaks, and lunch as a co-author or audience.

Online Attendance

IEREK offers virtual attendance, providing authors with a unique link to join the conference sessions and present their papers as per the announced program.

The online fee covers:

• IEREK Participation/Contribution soft copy Certificate.
• Preliminary Acceptance Letter.
• Consideration for publication in the IEREK-Springer interdisciplinary series (ASTI series by Springer) or IEREK Press, or any special issues available according to the type of registration in the table above.
• Access to conference recordings.

* Each research paper should have one main author who should pay the full fee (Author fees) regardless of attendance.

* Co-authors, each, have their fees to pay to attend the event. This applies to online attendance as well as physical attendance.

Discounts and Waiving Opportunities

1. 15%: Participants who come from co-partner universities who have already signed an MOU with IEREK can receive a 15% discount. Authors should mention the key person who signed the agreement with IEREK. You are welcome to inquire if your university has an agreement with IEREK or not yet.
2. 15%: Participants affiliated with universities in the hosting country on the regular registration fee.
3. 20%: Waiving with 20% for low-income countries according to the World Bank classification mentioned below. (applicable to the regular payment stage)
4. 25%: If multiple abstracts are submitted by the same first author to the conference, a 25% discount is applied to each additional submission according to the deadline of payments.

* Participants can use only one type of discount opportunity, which meets their preferences.

* Authors should contact the conference manager through this email [email protected] to consider the discount and waiving for all the above cases so that the conference manager can provide an exclusive invoice for each case.

Proof of capability to get the discount:

• A copy of a student enrollment card for 2026 is essential.
• Proof of affiliation to the partnering university is to be provided.
• Proof of previous publication through IEREK conferences. 
• A copy of passport for authors from low-income countries. Added below is the list of low and middle income countries according to the World Bank classification.

Countries List

Publication Period

IEREK puts a lot of effort into expediting the peer review process to publish articles as quickly as possible. This requires prompt responses from all authors to the editors' comments, if any. Your swift response is highly appreciated to advance the production process and get your articles online. We prioritize the first author to respond as per our formula. The conference proceedings will be divided into multiple books, with the first one scheduled for publication within 6 months after the conference date. We encourage all authors to aim for publication in the first release.

Possibilities for Extra Fees

1. Authors may request that their kits be delivered, for an additional fee decided by the courier, and upon request. Alternatively, authors located in Egypt can pick them up from IEREK headquarters in Alexandria.
2. Additional Conference Kit (Excluding Delivery). *Contact us for a quotation on shipping fees.
3. Gala Dinner, social programs, and other activities.

IEREK has an unyielding policy regarding plagiarism. We believe that copying/taking the ideas and work of other Authors without permission and credit is fraudulent. The Reviewing committee and IEREK employees have the authority to reject a paper during its reviewing process, based on the paper being subjected to either minor or major plagiarism.

Authors must refer to, and abide by, the following instructions in submitting their abstracts/ papers:

Step 1: Abstract Submission Process

• The author should prepare and submit an Abstract of at least 150 – 300 words through the website.
• The abstract should be concise and clearly state the proposed research study's purpose, results, and conclusions.
• The author should select the most relevant topic for the paper from the corresponding conference topics.
• The author can use/download an Abstract Writing Template prior to submission
• To submit your abstract, you first need to (1) click on the “Register” button on the conference page, (2) click on “Submit Now” and:
  • Select the Topic in which you are making the submission
  • Insert the title of your study in the "Paper Title" section
  • Insert the full abstract in the "Abstract" section/upload a file in the .pdf, .doc, .docm, or .docx format
  • Add in writing 3 – 5 keywords that define the field, subfield, topic, and research area covered by the article to help other researchers understand and find your work.
  • Provide the names, affiliations, and E-mails of all authors/ co-authors involved
  • Confirm your submission by ticking having read the instructions and “submit Abstract”

Step 2.1: Abstract Acceptance

• After acceptance of your abstract of at least (150 – 300 words), you will receive a proforma invoice and specific instructions to complete the payment online or by bank transfer (See Conference Fees) to confirm your participation,
• Once your abstract has been accepted, please refer to the important dates tab and carefully review the announced dates to avoid late payment, as late payment comes at an extra charge (early bird/regular/late).
• After successfully completing payment, you will be issued upon request with the following:
  • A signed/ stamped abstract acceptance letter
  • Please note that acceptance of participation, abstract submission, and extended abstract/short paper submissions all have different deadlines. To stay up to date and avoid paying extra fees, or delaying your paper, please carefully review the important dates tab.
  • Receipt of Payment/ Payment Invoice
  • Visa Invitation Letter, if needed
• After abstract acceptance, you may be given the option to extend the abstract to publish your work in the conference proceedings in ASTI published by Springer Nature (indexed in Scopus/SCImago) (optional not obligatory).

  This is not a prerequisite for presenting your work at the conference. Meaning, you can present your submitted abstract without intending to publish your work.

Step 2.2: Full Paper Submission

• Your submitted paper should be a minimum of 6 pages and contain 4,000 words, excluding references and submitted before the paper submission deadline, in English, and fit within one of the conference topics.
• Papers should follow the research paper structure as follows: Abstract (+keywords), Introduction, problem statement, and study aim, Review of the Literature, Methodology, results and conclusion/ discussion, References list using the Paper Writing Template.
• The submission should be made following the same procedure followed for the abstract or sent to the conference email.
• Here: Authors may need more pages than the allotted maximum of 6 to insert figures, tables, appendixes, etc. In this case, they can submit regular papers (max. 12 pages) with the same fixed fee. For a detailed outline of the fees, please refer to the payment table in the conference fees tab.
• The conference does welcome Arabic submissions (with abstracts written in the english language), which will only be considered for publication in BAHETH by IEREK Press.

Step 3: Rigorous Peer Review Process (double-blind)

This process can only be initiated after payment completion and confirmation:

• If submitted, the full paper will be preliminarily checked (iThenticate plagiarism/ similarity screening Software, readability, and scope) and it will be peer-reviewed. If similarity issues are detected, the following will apply:
  • % from all sources: 10-15%
  • % from one source: 3-5%
  • Higher than 30% (all sources): Reject completely
  • Lower than 30% (all sources): Ask for revision to decrease the similarities
• IEREK has an unyielding policy regarding plagiarism. We believe that copying/ taking the ideas and work of other Authors without permission and credit is fraudulent. The Reviewing committee and IEREK employees have the authority to reject a paper during its reviewing process, on the basis of the paper being subjected to either minor or major plagiarism.
• Each paper/ chapter is evaluated by a minimum of two reviewers, after which a final decision by the responsible Editor is made. There is no maximum to the number of times a paper can be reviewed, depending on the quality of the submission.
• If your paper is accepted by the Editors for publishing with comments/ requested modifications, our Editors (publishing department) will contact you once a decision is made and you will be asked to revise and correct it. After resubmission, it will be re-checked. Note: There may be more than one round of peer review and the decision rests with the editors of the title. Missed deadlines may result in complete exclusion/ rejection from the final publication.
• If your paper is accepted for publishing without edits/ comments, the corresponding author will be contacted to provide the final version of their chapters/ papers following Springer Guidelines and sign the Springer consent-to-publish (CTP) form to authorize publication in the conference proceedings.
• A back-and-forth process: modifications will be sent back to the responsible Editor/ Series Editor and another round of evaluation conducted where needed. Participants/ Authors should regularly check their emails (Junk/ Spam folders).
• If you are not interested in publishing a full paper in the proceedings in ASTI by Springer Nature, please inform the conference support ([email protected]).

Step 4: Extended paper 

• After the conference, the authors of the best papers will be invited to submit an extended version of their research, 8 – 12+ pages in length, (optional) of their short papers for publishing in an edited volume to be published by Springer Nature.
• Publishing your paper in the conference proceedings does not prevent the submission of the full version for publishing consideration after the conference if the similarity percentages (SR%) in Step 3 are taken into account.

Registration

To help the organizers plan for inter-disciplinary dialogue, participants are requested to choose from the conference themes/ Topics upon registration.

They must also refer to, and abide by, the following instructions in registering and submitting their abstracts/ papers:

Types of Participation

1. Attend/ Present Virtually and Publish in Conference proceedings

Organized from the comfort of your own home, the conference offers a virtual attendance option for your convenience. That said, participants will have a chance to present their abstract/research, online, and have their work considered for publication in the proceedings.

Virtual presenters are required to submit an abstract and extend this abstract following the “author instructions” below and before the deadline (see Important Dates). At least one author must pay the registration fee (see Conference Fees).

For any reason, authors may wish to submit pre-recorded video presentations no later than 15 days prior to the conference. Alternatively, they may wish to record a voice-over PowerPoint presentation for submission to the conference organizers.

2. Attend/ Present in-person and Publish in indexed Conference proceedings 

Organized at the University of Portsmouth, UK, offering a Physical attendance option for your convenience. That said, participants will have a chance to present their abstract/research, on campus, and have their work considered for publication in the ASTI Series by Springer as part of the conference proceedings.

See Author Instructions and Conference Fees for more information.

    3. Non-presenting participant

Non-presenting participants may also wish to attend the conference as Audience Members or Co-authors contributing to an already submitted abstract/ paper.

Attending a conference dramatically enhances both your professional and personal development. They help you sharpen the saw, meet and converse with industry experts, expand your resources and grow your professional network. IEREK Conference will help you:

1. Open Discussions: We bring together leading academic scientists, from different universities and countries, to exchange and share their experiences and research results.

2. Internationally Accredited Certificate: The participants are granted internationally recognized certificates acknowledged by IEREK, the University, and Partnering Organizations.

3. Publication: Selected high-quality manuscripts will be published, after peer review, in the Advances in Science, Technology & Innovation (ASTI) book series by Springer or by IEREK Press Journals, both of which are indexed in world-renowned databases.

4. Research Technologies: Conferences can expand your resources by providing a great opportunity to promote gathered information on new technologies related to your research.

5. Networking: You can engage with industry experts to discuss with them the very latest research projects they could be working on and increase your chances of collaboration in future projects.

6. Academic Reputation: Attending many conferences will make you a known figure in academic circles and an active member of the academic community.

 A.Physical Attendance