Artists have always found endless inspiration in the natural world, drawing from its intricate patterns, breathtaking landscapes, and delicate ecosystems. There is a profound allure in nature's ability to stir our emotions, remind us of the interdependence of all living creatures, and, in doing so, urge us to protect our shared environment.

Today, we are witnessing a global awakening as the importance of sustainability takes a central role in our collective consciousness. The urgency to address climate change, protect biodiversity, and adopt more eco-friendly practices has never been more evident. Artists and designers, with their unique power to influence and shape societal values, have an unparalleled opportunity to create work that not only inspires and engages but also raises awareness and fosters a deeper connection with the natural world.

The intersection of art, design, and sustainability serves as a catalyst for showcasing the profound influence that nature has on the creative process. It is through this vital lens that we seek to explore the boundless possibilities for sustainable art across various creative domains.

After the tremendous success of our first edition, which attracted a wealth of high-quality research and a vast number of applicants, IEREK is proud to announce the second edition of the Sustainable Creative Art: Inspiration from Nature (SCIN) conference. To maintain the high standards we established, IEREK, in collaboration with The Istituto Marangoni Milan, has selected Milan, a city celebrated for its creativity and design, as our host. The National Museum of Science and Technology Leonardo da Vinci will host the grand opening on November 10, 2026.

IEREK is excited to invite designers, architects, artists, scholars, and industry professionals. We will explore the innovative strategies employed by creative sectors as they embrace sustainability and integrate nature-inspired elements into their work. Delegates will explore how architecture can find sustainable solutions to environmental problems, creating structures that blend seamlessly with their surroundings while minimizing their ecological footprints. The transformative power of interior design will also be highlighted, showcasing how spaces can be enriched with natural elements that promote well-being and sustainability.

The conference will emphasize the crucial balance of sustainability and aesthetics across all disciplines of design, including graphics, urban planning, materials, and even fields like mechanics and IT. These areas profoundly impact our daily lives. Participants will see how the industry is at the forefront of adopting sustainable practices, from initial design ideas to responsibly sourced materials and final models. Additionally, photography, painting, and other visual arts will capture and immortalize the essence of nature’s beauty, while decorative murals invigorate urban environments, bringing with them the vibrant colors and motifs inspired by the natural world.

The SCIN conference, which will take place from November 10 to 12, 2026, promises to be an enriching and enlightening experience, uniting academics, innovators, artists, industry professionals, and enthusiasts to explore the vast possibilities of sustainable art. We invite you to join us in Milan as we celebrate nature’s beauty and its significant influence on the creative process. By fostering diverse voices and perspectives, the conference will establish a global network of artists and scholars dedicated to exploring the potential of sustainable art. Together, we can confront the challenges and seize the opportunities presented at the intersection of art, sustainability, and nature.

• 1. Creativity in Architecture and Interior Design

  1. The Role of Creativity in Architecture: Eco-Friendly and Efficient Design
  2. Landscape Design: Creating Harmony with Nature
  3. Biophilic Design: Enhancing Well-Being and Connectivity with Nature
  4. Biomimicry: Innovative Designs Inspired by Nature and Sustainable Solutions
  5. Parametric Design: Algorithms and Unique Computational Architectural Forms
  6. Identity of Place: Creativity in Architectural Design Elements and Cultural Context
  7. Streetscape Design: Transforming Urban Spaces for Community Engagement
  8. Responsive and Interactive Architecture: Dynamic and Adaptable Spaces
  9. Sustainable Lighting Design: Balancing Efficiency and Aesthetics

• 2. Creative Art: Sustainable Solutions and Technology

  1. The Role of Art in Environmental improvement
  2. Art and solution with Nature based
  3. Art and Identity: Culture, Folklore and the Role of Cinematology
  4. Art as Social Commentary: Addressing Environmental Issues through Visual Expression
  5. Public Art for Sustainability: Engaging Communities and Transforming Urban Spaces
  6. Environmental Art and increasing Ecological Awareness
  7. Art Therapy and Eco-Wellness: Exploring the Healing Power of Creative Art in Nature
  8. Art Exhibitions for Environmental Awareness: Curating Shows that Inspire Action
  9. Art and Technology: Exploring the Intersection of Digital Innovation and Creative Expression
  10. Art Collaboration: Fostering Cross-Disciplinary Partnerships and Collective Creativity

   

• 3. Creative Street Culture and Art

  1. Street Art Activism: Art as a Tool for Environmental Advocacy
  2. Nature-Inspired Street Art: Celebrating Biodiversity and Ecosystems
  3. Creative Reuse in Street Art: Upcycling Found Objects and Waste Materials
  4. Creative Communities: Design-Driven Approaches to Increase Environmental Awareness
  5. Biodegradable Graffiti: Innovations in Eco-Conscious Street Art
  6. Cultural Narratives and Nature: Reconnecting Urban Spaces to Environmental Heritage
  7. Art and Urban Feature Scenarios: Mural Art, Sculpture, Signs, Directions and Advertising
  8. Tangible and Intangible Art

• 4. Creativity in life needs’ Design

  1. Furniture Design: Innovative Approaches for Sustainable Living
  2. Upcycling and Repurposing: Giving New Life to Furniture and Accessories
  3. Wallpaper Design: Eco-Conscious Materials and Patterns
  4. Signage Design: Enhancing Communication Through Sustainable Practices
  5. Visual Storytelling for Environmental Awareness
  6. Natural Textiles and Flooring: Exploring Renewable and Non-Toxic Materials
  7. Everyday Design: Integrating Sustainability into Daily Use Products.
  8. Household Items: Eco-friendly kitchenware, cleaning supplies, and utensils.
  9. Personal Accessories Design: men and women items of accessories.
  10. Office Supplies and eco-friendly stationery.
  11. Packaging Designs for everyday products.
  12. Sustainable Design in Bicycles, Electric Vehicles, and Public Transit Initiatives.

• 5. Fashion Design and Systems

  1. Slow Fashion Movement: Embracing Ethical and Sustainable Practices
  2. Zero-Waste Fashion Design: Minimizing Material Waste in Production
  3. Textile Innovation: Exploring Eco-Friendly Fabrics and Dyeing Techniques
  4. Fashion as Activism: Using Clothing as a Vehicle for Social and Environmental Change
  5. Collaborative Design: Engaging Local Artisans and Sustainable Supply Chains
  6. Circular Economy in Fashion: Embracing Recycling and Upcycling
  7. Ethical Fashion: Ensuring Fair Wages and Safe Working Conditions
  8. Biophilic Design and Nature-Inspired Fashion
  9. Fashion Education for Sustainability: Integrating Sustainable Practices in Design Curricula
  10. Fashion Retail and Consumer Behavior

• 6. Creativity in Fashion Shows: Art, Beauty, and Direction

  1. Fashion Show as Artistic Expression: Innovative Designs and Thematic Presentation
  2. Evolution of Fashion Shows as an Artistic Platform
  3. Fashion Show Production: Creating Captivating Visual Experiences
  4. Beauty Ideals and Diversity: Promoting Inclusivity on the Runway
  5. Impact of Fashion Shows on the Industry and Branding
  6. Sustainable Branding and Marketing in Fashion
  7. Digital Art and Technology in Fashion Shows
  8. Fashion and Art Collaboration: Cross-pollination of Creativity

• 7. Creativity in Fashion Photography, Styling, Film, and Performative Arts

  1. Sustainable Fashion Photography: Promoting Eco-Friendly Practices
  2. Cinematic Fashion: The Art of Fashion Film
  3. Fashion Photography as Social Commentary
  4. Artistic Expression in Fashion Photography and Styling
  5. Technological Advancements in Fashion Film
  6. Creative Direction in Fashion Film: Storytelling and Atmosphere

• 8. Technologies and Computer-Aided Creativity in Art

  1. The Intersection of Technology and Computer-Aided Creativity
  2. Digital Art and Mixed Media: Interactive Installations and Art Forms
  3. Virtual Reality and Augmented Reality: Creating Immersive Artworks
  4. Generative Art and Algorithms: Dynamic Creative Processes
  5. Ethical and Conceptual Considerations: Authorship and Originality in Art
  6. Blockchain Technology and Sustainable Art Marketplaces
  7. Circular Product Design: Reducing Waste Through Creativity
  8. Digital Sculpting and 3D Printing
  9. Design sustainable and Timeless Products Inspired by Nature’s Durability

• 9. Creativity in Advertising and Art Direction

  1. Sustainable Branding: Designing Eco-Conscious Identities
  2. Emotional & Sustainable Brand Storytelling
  3. Cause Marketing Strategies: Promoting Sustainable Products and Services
  4. Art Direction: New Aesthetic Languages for Sustainable Advertising
  5. Interactive Communication: Engaging Audiences in Eco-Friendly Experiences
  6. Use of Social Media for Environmental Awareness

• 10. Creative Innovations in Business: Marketing, Management, and Financial Strategies

  1. Sustainable Marketing Strategies: Driving Green Growth
  2. Creative Problem-Solving in Business
  3. Digital and Social Media Innovations for Sustainable Practices
  4. Climate Change and Global Economics
  5. Innovative Funding Models for Startups
  6. Advancing Creativity in the Workplace

General Instructions

1. Expenses:

   The registration fee does not cover accommodation or travel expenses. A list of accommodation options can be suggested by our team if available. Please contact[email protected] for inquiries.

2. Benefits:

   We recommend that all authors take advantage of the benefits that IEREK offers, including various attendance types, publishing opportunities, and opportunities for discounts and waivers.

    
3. Membership:

   We are pleased to inform all applicants that they can use their previous publications to register for an IEREK membership, which offers a special discount.

4. Collaborative Discounts:

   IEREK offers a special discount to applicants from collaborative universities that have signed an MoU with IEREK to host or co-host one of its conferences.

5. Income-Based Discounts:

   IEREK also provides special discounts to authors from low and medium-income countries.

6. Publication Accessibility:
   
   The disclosed fees are for the conference participation (Publication is free of charge, but only the conference participants can be considered for publishing in the conference proceedings).

7. Book Series/ Journal(s) Discounts:
   
   Some of the disclosed conference fees may vary depending on the book series and/or journal(s) presented as a publication outlet, as we encourage submission to newly founded book series and/or journal(s) by presenting a discounted rate for the conference's fees.

    

Publication Opportunities

IEREK offers many alternative venues for publication. All accepted submissions to the conference, after a rigorous double-blinded peer-review process by the respective and highly distinguished Editorial Board, will be published through one of the following venues:

1. Springer Series/IEREK Journals:

   Accepted papers (according to the preference of the author) will be published through the Springer book series or a special issue in one of the IEREK press open-access Journals.

Types of Applications, Attendance, and Registration

IEREK offers many types of registrations that are diverse in registration fees; applicants can choose the type they are familiar with as follows:

1. Academic:

   Participants who are PhD holders, post-doctoral researchers, and universities’ affiliated professors and experts in the field.

2. Students:

   Must provide proof of enrollment in a university by providing an enrollment certificate and/or a valid university ID (with issue/expiry date) etc.

3. Professionals:

   Participants who are not affiliated with universities such as practitioners, policymakers, entrepreneurs, etc.

4. Companions/Co-authors:

   Have access to the event to enjoy the discussions, coffee breaks, and lunch as a co-author or audience.

5. Presentation Only:

   An author may need to attend the conference for presentation only to present a research idea without publication or full paper submission; the fee in this case will be decreased.

Physical Attendance

IEREK offers various types of participation. Applicants can apply for in-person attendance to benefit fully from conference discussions and knowledge exchange.

IEREK also offers virtual attendance for authors to present their research papers online; however, we strongly encourage all applicants to attend the conference in person.

Publication Types:

Type 1:

• Physical attendance + Publication through Scopus

  Through IEREK – Springer Nature Interdisciplinary book series “Advances in Science, Technology, and Innovation” (ASTI). See previous publication here.

Type 2:

• Physical attendance + Publication through Open-access IEREK Press Journals 

The physical fee covers:

• The Conference Kit, which includes a softcopy of the abstract book, Conference notebook, IEREK pen, and Conference Flyers/Printouts.
• IEREK Participation/Contribution Certificate
• Consideration for publication in the IEREK-Springer interdisciplinary series (ASTI series by Springer) or IEREK Press, or any special issues available according to the type of registration in the table above.
• A Preliminary Acceptance Letter
• Lunches and Coffee Breaks

* Each research paper should have one main author who should pay the full fee (Author fees) regardless of attendance. Co-authors, each, have their fees to pay to attend the event. This applies to online attendance as well as physical attendance.

* A research paper fee allows only one author, whether main or co-author, to attend the conference and receive only one conference kit. Extras can be requested for an additional fee.

Online Attendance

IEREK offers virtual attendance, providing authors with a unique link to join the conference sessions and present their papers as per the announced program.

IEREK is dedicated to optimizing the benefits for each delegate so, similar to physical attendance, when it comes to virtual attendance IEREK also provides two venues for publication, which are:

Type 3:

• (Online attendance+ Publication through Scopus)

  Online attendance + Publication through Scopus Through IEREK – Springer Nature Interdisciplinary book series “Advances in Science, Technology, and Innovation” ASTI, see previous publications here.

Type 4:

• (Online attendance+ IEREK press Open-Access Journals)

The online fee covers:

• IEREK Participation/Contribution soft copy Certificate.
• Preliminary Acceptance Letter.
• Consideration for publication in the IEREK-Springer interdisciplinary series (ASTI series by Springer) or IEREK Press, or any special issues available according to the type of registration in the table above.
• Access to conference recordings.

* Each research paper should have one main author who should pay the full fee (Author fees) regardless of attendance.

* Co-authors, each, have their fees to pay to attend the event. This applies to online attendance as well as physical attendance.

Discounts and Waiving Opportunities

1. 20%: Participants who come from co-partner universities who have already signed an MOU with IEREK can receive a 20% discount. Authors should mention the key person who signed the agreement with IEREK. You are welcome to inquire if your university has an agreement with IEREK or not yet.
2. 20%: Waiving with 20% from the announced fees for low-income countries according to the World Bank classification mentioned in the document below. (applicable to the regular payment stage)
3. 25%: If multiple abstracts are submitted by the same first author to the conference, a 25% discount is applied to each additional submission according to the deadline for payments.

* Participants can use only one type of discount opportunity, which meets their preferences.

* Authors should contact the conference manager through this email [email protected] to consider the discount and waiving for all the above cases so that the conference manager can provide an exclusive invoice for each case.

Proof of capability to get the discount:

• A copy of a student enrollment card for 2026 is essential.
• Proof of affiliation to the partnering university is to be provided.
• Proof of previous publication through IEREK conferences. 
• A copy of passport for authors from low-income countries. Added below is the list of low and middle-income countries according to the World Bank classification.

Countries List

Publish through iDirect

iDirect is a new and efficient platform that allows direct submissions of research papers across various fields of science. iDirect accepts and covers all fields of science, not only those related to a particular conference. Individual authors are encouraged to submit their research discussing new ideas and presenting solutions to everyday problems that fall under numerous scientific themes. The iDirect platform is integrated into the peer review system for online conferences. You can publish your work through iDirect without the need to attend the conference or adhere to any submission deadlines. iDirect accepts a wide range of disciplines, eliminating the need to align with the conference's specific theme or scope. Based on the scope of your research, we will identify the most relevant proceedings for publication. The editor will schedule a discussion with you to review your presentation before proceeding to the peer-review process. Learn more here!

Publication Period

IEREK puts a lot of effort into expediting the peer review process to publish articles as quickly as possible. This requires prompt responses from all authors to the editors' comments, if any. Your swift response is highly appreciated to advance the production process and get your articles online. We prioritize the first author to respond as per our formula. The conference proceedings will be divided into multiple books, with the first one scheduled for publication within 3 months after the conference date. We encourage all authors to aim for publication in the first release.

Possibilities for Extra Fees

1. Authors may request that their kits be delivered, for an additional fee decided by the courier, and upon request. Alternatively, authors located in Egypt can pick them up from IEREK headquarters in Alexandria.
2. Additional Conference Kit (Excluding Delivery). *Contact us for a quotation on shipping fees.
3. Gala Dinner, social programs, and other activities.

Visa Application

For participants who need Entry Visas to the country where the conference will be held, IEREK will issue the corresponding invitation letter for accepted applicants to facilitate visa issuance. Please notice that we will attempt to assist you in obtaining a visa but the responsibility is yours and the decision rests solely with the appropriate Embassy. For the requirements of issuing a visa letter please read more here!

To Download the Conference Flyer & Poster Click Here

𝐓𝐡𝐞 𝐎𝐩𝐞𝐧𝐢𝐧𝐠 𝐂𝐞𝐫𝐞𝐦𝐨𝐧𝐲: 𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐌𝐮𝐬𝐞𝐮𝐦 𝐨𝐟 𝐒𝐜𝐢𝐞𝐧𝐜𝐞 𝐚𝐧𝐝 𝐓𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐋𝐞𝐨𝐧𝐚𝐫𝐝𝐨 𝐝𝐚 𝐕𝐢𝐧𝐜𝐢, 𝐌𝐢𝐥𝐚𝐧, 𝐈𝐭𝐚𝐥𝐲

𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐌𝐮𝐬𝐞𝐮𝐦 𝐨𝐟 𝐒𝐜𝐢𝐞𝐧𝐜𝐞 𝐚𝐧𝐝 𝐓𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐋𝐞𝐨𝐧𝐚𝐫𝐝𝐨 𝐝𝐚 𝐕𝐢𝐧𝐜𝐢, 𝐌𝐢𝐥𝐚𝐧, 𝐈𝐭𝐚𝐥𝐲’s largest science and technology museum—an inspiring blend of history, innovation, education, and engineering. Here’s an in‑depth guide:

𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐌𝐮𝐬𝐞𝐮𝐦 𝐨𝐟 𝐒𝐜𝐢𝐞𝐧𝐜𝐞 𝐚𝐧𝐝 𝐓𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐋𝐞𝐨𝐧𝐚𝐫𝐝𝐨 𝐝𝐚 𝐕𝐢𝐧𝐜𝐢, is one of the most important and largest science and technology museums in Europe. Located in the heart of Milan, Italy, the museum is housed in a 16th-century Olivetan monastery, offering visitors a rich combination of history, innovation, and creativity.

Founded in 1953, the museum is named after 𝐋𝐞𝐨𝐧𝐚𝐫𝐝𝐨 𝐝𝐚 𝐕𝐢𝐧𝐜𝐢, Italy’s most celebrated Renaissance polymath, known for his genius across multiple fields including art, science, engineering, and invention. The museum pays tribute to his legacy by showcasing an extensive collection of models based on Leonardo’s original drawings, reconstructed with great accuracy and craftsmanship.

Spanning over 50,000 square meters, the museum is divided into several thematic sections covering a wide range of topics: energy, materials, transport, space, communications, and life sciences. One of the museum’s highlights is the Leonardo Gallery, where visitors can explore models of machines and inventions envisioned by Leonardo – from flying devices and war machines to hydraulic tools and architectural structures.

In addition to historical displays, the museum offers interactive exhibits and laboratories designed to engage children, students, and families in hands-on scientific discovery. It features real-life technological artifacts including historic trains, ships, submarines, and even a section dedicated to space exploration.

Whether you're a science enthusiast, an art lover, or simply curious about the connections between the past and the future, the 𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐌𝐮𝐬𝐞𝐮𝐦 𝐨𝐟 𝐒𝐜𝐢𝐞𝐧𝐜𝐞 𝐚𝐧𝐝 𝐓𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 in Milan offers an inspiring journey through human ingenuity.

Istituto Marangoni

Istituto Marangoni, with over 85 years of history, has been a global leader in nurturing talent in fashion, art, and design. Known for its "Italianness" that embodies luxury, craftsmanship, and elegance, the institute operates in prestigious locations like Milano, London, Paris, and Shanghai, offering a unique international study experience to over 4,000 students from 107 countries. Its modern and industry-focused curricula, supported by expert tutors and partnerships with top companies, empower students to excel in design, communication, and management. Dedicated to fostering creativity and innovation, the institute continually adapts its programs to meet evolving global demands, making it a hub for cultural exchange and professional development in fashion, art, and desig.

Abu Dhabi University

Abu Dhabi University (ADU), the largest private university in the UAE, is a leading academic institution ranked among the top 3 in the country and within the top 200 universities globally by the Times Higher Education World University Rankings 2025. Established in 2003, ADU offers over 50 internationally accredited undergraduate and postgraduate programs through five colleges across campuses in Abu Dhabi, Al Ain, Dubai, and Dubai Knowledge Park. Known for its faculty and student diversity, with over 8,000 students from nearly 100 nationalities, ADU excels in teaching, impactful research, and alignment with the UAE’s national agenda. Its programs span arts, law, education, business, engineering, and science, including training for UAE Armed Forces personnel, fostering academic excellence and global readiness.

The University of Lahore

The University of Lahore is among the leading private-sector universities in Pakistan, offering world-class education across diverse faculties and departments. Recognised by the HEC with its highest “W4” category, its purpose-built campuses house state-of-the-art facilities, producing skilled graduates since 1999. With a student body of over 30,000 and an alumni network exceeding 84,000, UOL has a strong presence in academia and industry. Its vibrant campus brings together students from diverse national and international backgrounds, creating a rich multicultural learning environment.

IEREK has an unyielding policy regarding plagiarism. We believe that copying/taking the ideas and work of other Authors without permission and credit is fraudulent. The Reviewing committee and IEREK employees have the authority to reject a paper during its reviewing process, based on the paper being subjected to either minor or major plagiarism.

Authors must refer to, and abide by, the following instructions in submitting their abstracts/ papers:

Step 1: Abstract Submission Process

• The author should prepare and submit an Abstract of at least 150 – 300 words through the website.
• The abstract should be concise and clearly state the proposed research study's purpose, results, and conclusions.
• The author should select the most relevant topic for the paper from the corresponding conference topics.
• The author can use/download an Abstract Writing Template prior to submission
• To submit your abstract, you first need to (1) click on the “Register” button on the conference page, (2) click on “Submit Now” and:
  • Select the Topic in which you are making the submission
  • Insert the title of your study in the "Paper Title" section
  • Insert the full abstract in the "Abstract" section/upload a file in the .pdf, .doc, .docm, or .docx format
  • Add in writing 3 – 5 keywords that define the field, subfield, topic, and research area covered by the article to help other researchers understand and find your work.
  • Provide the names, affiliations, and E-mails of all authors/ co-authors involved
  • Confirm your submission by ticking having read the instructions and “submit Abstract”

Step 2.1: Abstract Acceptance

• After acceptance of your abstract of at least (150 – 300 words), you will receive a proforma invoice and specific instructions to complete the payment online or by bank transfer (See Conference Fees) to confirm your participation,
• Once your abstract has been accepted, please refer to the important dates tab and carefully review the announced dates to avoid late payment, as late payment comes at an extra charge (early bird/regular/late).
• After successfully completing payment, you will be issued upon request with the following:
  • A signed/ stamped abstract acceptance letter
  • Please note that acceptance of participation, abstract submission, and paper submissions all have different deadlines. To stay up to date and avoid paying extra fees, or delaying your paper, please carefully review the important dates tab.
  • Receipt of Payment/ Payment Invoice
  • Visa Invitation Letter, if needed
• After abstract acceptance, you may be given the option to extend the abstract to publish your work in the conference proceedings in ASTI published by Springer Nature (indexed in Scopus/SCImago) (optional not obligatory).

  This is not a prerequisite for presenting your work at the conference. Meaning, you can present your submitted abstract without intending to publish your work.

Step 2.2: Full Paper Submission

• Your submitted paper should be 6+ pages long and submitted before the paper submission deadline, in English, and fit within one of the conference topics.
• Papers should be a minimum of 6 pages and contain 4,000 words, excluding references.
  Authors should support their research and clarify their ideas using various explanatory methods, such as figures, equations, and diagrams.
• The paper should follow the research paper structure as follows: Abstract (+keywords), Introduction, problem statement, and study aim, Review of the Literature, Methodology, results and conclusion/ discussion, References list using the Paper Writing Template.
• The submission should be made following the same procedure followed for the abstract or sent to the conference email.
• Here: Authors may need more pages than the allotted maximum of 6 to insert figures, tables, appendixes, etc. In this case, they can submit regular papers (max. 12 pages) with the same fixed fee. For a detailed outline of the fees, please refer to the payment table in the conference fees tab.
• The conference does welcome Arabic submissions (with abstracts written in the english language), which will only be considered for publication in BAHETH by IEREK Press.

Step 3: Rigorous Peer Review Process (double-blind)

This process can only be initiated after payment completion and confirmation:

• If submitted, the paper will be preliminarily checked (iThenticate plagiarism/ similarity screening Software, readability, and scope) and it will be peer-reviewed. If similarity issues are detected, the following will apply:
  • % from all sources: 10-15%
  • % from one source: 3-5%
  • Higher than 30% (all sources): Reject completely
  • Lower than 30% (all sources): Ask for revision to decrease the similarities
• IEREK has an unyielding policy regarding plagiarism. We believe that copying/ taking the ideas and work of other Authors without permission and credit is fraudulent. The Reviewing committee and IEREK employees have the authority to reject a paper during its reviewing process, on the basis of the paper being subjected to either minor or major plagiarism.
• Each paper/ chapter is evaluated by a minimum of two reviewers, after which a final decision by the responsible Editor is made. There is no maximum to the number of times a paper can be reviewed, depending on the quality of the submission.
• If your paper is accepted by the Editors for publishing with comments/ requested modifications, our Editors (publishing department) will contact you once a decision is made and you will be asked to revise and correct it. After resubmission, it will be re-checked. Note: There may be more than one round of peer review and the decision rests with the editors of the title. Missed deadlines may result in complete exclusion/ rejection from the final publication.
• If your  paper is accepted for publishing without edits/ comments, the corresponding author will be contacted to provide the final version of their chapters/ papers following Springer Guidelines and sign the Springer consent-to-publish (CTP) form to authorize publication in the conference proceedings.
• A back-and-forth process: modifications will be sent back to the responsible Editor/ Series Editor and another round of evaluation conducted where needed. Participants/ Authors should regularly check their emails (Junk/ Spam folders).
• If you are not interested in publishing an extended abstract in the proceedings in ASTI by Springer Nature, please inform the conference support  [email protected] 

Registration

To help the organizers plan for inter-disciplinary dialogue, participants are requested to choose from the conference themes/topics upon registration.

They must also refer to, and abide by, the following instructions in registering and/ or submitting their contributions:

NOTE: If you are contributing as an Author of a submitted abstract (for publishing consideration and/or presentation), and regardless of attendance, the fee for the registration is the same. See and Registrattion & Fees for more information.

Types of Participation

1. Attend/ Present in-person or Online and Publish in indexed Conference proceedings

The conference offers a Physical attendance option for your convenience. That said, participants will have a chance to present their abstract/research, on campus, and have their work considered for publication in the ASTI Series by Springer as part of the conference proceedings.

See Author Instructions and Registration & Fees for more information.

2. Registration to publish in the proceedings without presenting/ attending

If your full paper is accepted, it may be published in the conference proceedings book in the Advances in Science, Technology & Innovation Book Series by Springer (indexed in Scopus) even if you are not attending the conference. In this case, the accepted work will not be included in the final conference program. See Author Instructions and Publishing Opportunities for more information.

3. Non-presenting participant

Non-presenting participants may also wish to attend the conference as Audience Members or Co-authors contributing to an already submitted abstract/ paper. See Registration & Fees for more information.

Notes to consider:
* Attendance online and in-person are possible upon confirmation with the conference secretariat/ coordinator at [email protected] and following Registration & Fees covered.

* The participation fee is uninform for all options presented above.

* For participants wishing to attend in-person, a visa invitation letter will be provided upon request, for which case a copy of your passport will be required. The invitation letter can only be provided after acceptance and full payment.

* Before planning your trip, be sure to check travel restrictions to the conference’s hosting country. Visit travel information and restrictions, and send in your questions if you have any to the conference coordinator at the email [email protected]

Rome is one of the world’s most iconic and historic cities, with a rich past that stretches back more than 2,500 years. From its earliest days, it has been a powerful hub for politics, culture, and innovation. The origins of Rome are wrapped in myths and legends, with several fascinating stories about how the city was founded. Over time, it became the heart of the mighty Roman Empire, ruled by legendary emperors and Caesars, shaping the course of history for centuries to come.

The following are some suggestions of places to visit while you are in Rome, Italy.

 1. Colosseum

The Colosseum, also called the Flavian Amphitheatre, is one of Rome’s most famous landmarks and a symbol of ancient Roman power. Built between 70 and 80 AD, it could hold around 50,000 spectators for events like gladiator fights, animal hunts, and public shows.

Its architecture and engineering were advanced for its time, with underground tunnels and a complex seating system. Despite centuries of damage, the Colosseum remains a powerful reminder of Rome’s imperial past. Today, it is a major tourist attraction and a UNESCO World Heritage Site, drawing millions of visitors each year to witness its enduring legacy.

2. Trevi Fountain

The Trevi Fountain is one of Rome’s most famous and beautiful landmarks. Completed in 1762, it was designed by Nicola Salvi and later finished by Giuseppe Pannini. The fountain features a stunning sculpture of Oceanus (god of the sea) surrounded by horses and tritons, all flowing into a large, clear pool.

According to legend, tossing a coin over your left shoulder into the fountain ensures a return to Rome. Located in a lively square, the Trevi Fountain attracts millions of visitors each year who come to admire its baroque beauty and take part in the charming coin-throwing tradition.

3. St. Peter’s Basilica

St. Peter’s Basilica, located in Vatican City, is one of the largest and most important churches in the world. Built between the 16th and 17th centuries, it was designed by renowned architects including Michelangelo, who created its iconic dome. The basilica stands on the site believed to be the burial place of Saint Peter, one of Jesus’s apostles and the first pope.

Inside, it houses masterpieces like Michelangelo’s Pietà and Bernini’s grand altar canopy. St. Peter’s Basilica is not only a center of Catholic faith but also a symbol of Renaissance architecture, attracting millions of visitors and pilgrims each year.

4. Roman Forum

 

The Roman Forum was the heart of ancient Rome and served as the center of political, religious, and social life. Located between the Palatine and Capitoline Hills, it was home to important government buildings, temples, and marketplaces. For centuries, Romans gathered here for public speeches, elections, trials, and celebrations.

Famous structures like the Temple of Saturn, the Arch of Titus, and the Curia (Senate House) still stand among the ruins. Although much of the Forum is in ruins today, walking through it offers a powerful glimpse into the grandeur of ancient Rome and its influence on Western civilization.

5. Trastevere 

Trastevere is one of Rome’s most charming and lively neighborhoods, known for its narrow cobblestone streets, colorful buildings, and authentic Roman atmosphere. Located on the west bank of the Tiber River, Trastevere offers a mix of history, culture, and local life.

It’s home to beautiful churches like Santa Maria in Trastevere and hidden piazzas filled with cafés, street performers, and markets. By day, it’s a quiet place to explore ancient architecture and artisan shops; by night, it becomes a hotspot for dining and nightlife. Trastevere captures the soul of Rome, offering visitors a more intimate, less touristy experience of the city.

𝐒𝐭𝐞𝐩 𝟏: 𝐀𝐫𝐫𝐢𝐯𝐞 𝐚𝐭 𝐌𝐚𝐥𝐩𝐞𝐧𝐬𝐚 𝐀𝐢𝐫𝐩𝐨𝐫𝐭
Malpensa has two terminals (T1, T2). Both are served by the Malpensa Express train. There's also a free shuttle between the terminals

𝐒𝐭𝐞𝐩 𝟐: 𝐓𝐚𝐤𝐞 𝐌𝐚𝐥𝐩𝐞𝐧𝐬𝐚 𝐄𝐱𝐩𝐫𝐞𝐬𝐬 𝐭𝐫𝐚𝐢𝐧 𝐭𝐨 𝐌𝐢𝐥𝐚𝐧 𝐜𝐢𝐭𝐲
Destination options: Milano Centrale or Milano Cadorna (both connect to metros).

Frequency: about every 30 minutes from early morning (~05:20) until after midnight (~01:00) depending on direction.

𝐃𝐮𝐫𝐚𝐭𝐢𝐨𝐧:

MXP → Centrale ≈ 57 min
MXP → Cadorna ≈ 43 min

𝐒𝐭𝐞𝐩 𝟑: 𝐓𝐫𝐚𝐧𝐬𝐟𝐞𝐫 𝐭𝐨 𝐌𝐢𝐥𝐚𝐧 𝐌𝐞𝐭𝐫𝐨
Once at Milano Centrale or Cadorna:

If arriving at Milano Centrale:
Walk to Centrale Metro Station (M2 green line).

Take the M2 (green) line towards Assago Forum or Abbiategrasso.

If arriving at Milano Cadorna:
Connect to Cadorna Metro Station.

Board M2 (green) line direction Gessate or Cologno Nord.

𝐒𝐭𝐞𝐩 𝟒: 𝐑𝐢𝐝𝐞 𝐭𝐨 𝐒𝐚𝐧𝐭’𝐀𝐦𝐛𝐫𝐨𝐠𝐢𝐨 𝐒𝐭𝐚𝐭𝐢𝐨𝐧
Disembark at Sant’Ambrogio (M2)—the museum is a 4–6 minute walk away.
Exit the station and head to Via San Vittore 21.

𝐒𝐭𝐞𝐩 𝟓: 𝐖𝐚𝐥𝐤 𝐭𝐨 𝐌𝐮𝐬𝐞𝐮𝐦
From Sant’Ambrogio, it’s approx. 300–400 m (5 minutes) walk to the museum on Via San Vittore.

Attending a conference dramatically enhances both your professional and personal development. They help you sharpen the saw, meet and converse with industry experts, expand your resources and grow your professional network. IEREK Conference will help you:

1. Open Discussions: We bring together leading academic scientists, from different universities and countries, to exchange and share their experiences and research results.
   
   
2. Internationally Accredited Certificate: The participants are granted internationally recognized certificates acknowledged by IEREK, the University, and Partner Organizations.
   
   
3. Publication: Selected high-quality manuscripts will be published, after peer review, in index journals/ book series. See Publishing Opportunities for more information.
   
   
4. Research Technologies: Conferences can expand your resources by providing a great opportunity to promote gathered information on new technologies related to your research.
   
   
5. Networking: You can engage with industry experts to discuss with them the very latest research projects they could be working on and increase your chances of collaboration in future projects.
   
   
6. Academic Reputation: Attending many conferences will make you a known figure in academic circles and an active member of the academic community.
   
   
7. Conference Abstracts Material: Delegates will receive the conference Abstracts book in a digital format.

A.Physical Attendance